Exploring what makes up the Jewish tapestry

Exploring what makes up the Jewish tapestry

ROME — We’ve all played the “Jewish geography” game — you know, questioning someone we’ve only just met in order to discover common Jewish connections, friends or even family.
In doing so, we are mapping out our experiences, delineating a sort of Jewish topography of interlinking backgrounds, histories and far-flung mishpocha.
Somehow I feel a sense of profound satisfaction when I discover an unexpected link with a stranger. It’s like a gift, an almost magical sense of communion with the densely woven tapestry of Jewish life — or at least with an individual or a place that helps make up that tapestry.
The idea of Jewish topography and the spaces and places — physical and metaphysical — in which Jews live, dream and interact forms the basis of a fascinating new book.
“Jewish Topographies: Visions of Space, Traditions of Place” (Ashgate Publishing House, 2008) is a collection of essays by a score of international scholars who participated in a six-year research project at the University of Potsdam in Germany.
Called Makom, or “place” in Hebrew, the project aimed to explore the relevance of space and place in Jewish life and culture.
In my own writing, I have dealt frequently with “Jewish space” in the way that the Paris-based historian Diana Pinto framed it. She coined the term in the 1990s to describe the place occupied by Jews, Jewish culture and Jewish memory within mainstream European society, regardless of the size or activity of the local Jewish population.
“There is a Jewish space in Europe that will exist even in the absence of Jews,” she said. “The ‘Jewish thing’ is becoming universal.”
Pinto’s thesis was a spark for my own explorations of the often intense relationship between non-Jews and Jewish culture in Europe. I coined the term “virtually Jewish” to describe how non-Jews often “fill” Europe’s Jewish space with their own ideas and operations.
“Jewish Topographies” takes a much different approach.
It regards Jewish space from within the Jewish world rather than from the virtually Jewish perspective of outside interaction. It sees Jewish spaces as actual environments that are shaped by Jews, where Jewish life may be rooted and where Jewish activities go on.
“Jewish things” happen there and often, in turn, define the identity of the physical places where they are happening.
One of the goals of the project, the book’s editors write, was to counteract stereotypes that long have conveyed “the pervasive impression that the Jewish experience — except the Israeli one — is one of profound displacement, lacking not only a proper territory but also a substantial spatiality or attachment to place.”
They mean stereotypes such as the description of Jews as the “People of the Book” and of the book itself as the Jews’ “portable homeland,” not to mention the widespread cliche of the “wandering Jew.”
I must admit that I myself actually fulfill some of these stereotypes. I have lived in seven or eight countries, and even now I spend a good deal of time on the road. Yet I generally feel comfortable wherever I am, usually wishing I could stay longer in almost every place I visit.
Rarely do I feel “homesick,” yet I have deep attachments to place and certain places. Despite living overseas most of my life, the United States, in all its grandeur, remains my homeland.
And perhaps it’s a variant of the Jewish geography game that I do feel a special affinity for the landscapes, climate, food and even architecture in East-Central Europe, from where my ancestors came.
“Jewish Topographies” goes far beyond geography. Its chapters examine very different, and sometimes unusual, places where Jewish experience is strongly linked, physically or emotionally, to specific environments.
The book also includes an epilogue that expands the concept of Jewish space into areas that only recently opened up for exploration. Called “Virtual Jewish Topography,” it chronicles the creation and growth of Judaism in the online cyber world known as Second Life, starting with the creation of Beth Israel, the first Second Life synagogue, in August 2006.
Its author, Julian Voloj, tells a fascinating story of avatars, screen names and self-selected identities as he charts the development of synagogues, Jewish institutions, Jewish cultural activities and Jewish neighborhoods — even anti-Semitic incidents — in a world that in a sense is real but also quite imaginary.
“How does one describe a place that does not ‘really’ exist and that can be changed by a simple mouse click?” he writes. “And how does one describe a culture in transition?”

(Ruth Ellen Gruber’s books include “National Geographic Jewish Heritage Travel: A Guide to Eastern Europe,” “Letters from Europe (and Elsewhere),” and “Virtually Jewish: Reinventing Jewish Culture in Europe.”)